Projects

Projects

Cannes Docs

Unwelcomed

Original title: Si vas para Chile

Directed by: Amilcar Infante, Sebastián González M.

Produced by: Sebastián González M. (Amilcar Films, Chile)

Country of production: Chile

Runtime: 80'

Expected release: March, 2024

Production stage: Editing, Post-production

Budget: €280 000 (68% in place)

1st feature: Yes

Looking for: Festivals, Sales Agents, Co-Producers, Gap Financing, Strategic Guidance

Synopsis:

Traversing the majestic Andean Highlands, Atacama Desert, and Coastal Cliffs, Unwelcomed unveils the harsh reality of the Venezuelan migration crisis in Latin America, alongside the cultural clash and radicalization in northern Chile. Through a choral narrative, contrasting perspectives, and an evocative exploration, the film sheds light on universal challenges posed by this social phenomenon.

Director’s profile:

Amilcar Infante, graduated from Bande À Part School in Barcelona, Director and Founder of Amilcar Films, has written and directed several music videos, short films and video content for different organizations. He is currently preparing his debut feature film ‘Unwelcomed’, while also developing the documentary ‘Nipon Takes’, the documentary series ‘Photos; A Dialogue Between Past and Present’, and co-producing ‘Julio Escamez, Beginning and End’. His directorial credits include ‘Soterrament’ (2017, short documentary), ‘Este Lugar’ (2016, short fiction), ‘Taxista Libre’ (2015, short fiction).

Producer’s profile:

Sebastián González M., graduated in Business and Economics with a Diploma in Executive Production for Film and TV, Sebastián has worked in various production roles for Tercermundo, Glaciar Films, and other national companies, developing different formats such as TV series, webseries, short films and videoclips. He is currently the executive director of Amilcar Films, working in the post production of ‘Unwelcomed’ his first feature documentary, and the distribution of two short films directed and produced by him in 2023. His credits include ‘Consagración’ (2023, short fiction), ‘No lo mires’ (2023, short fiction), ‘Nuevo Mundo; Pintura callejera en America Latina’ (2020, TV series, asst. producer).

Cannes Docs

The Stationary Traveller

Original title: Viajero Inmóvil

Directed by: Fernando Lavanderos, Sebastián Pereira

Produced by: Francisco Hervé (Juntos Films, Chile)

Country of production: Chile

Runtime: 70'

Expected release: November, 2024

Production stage: Post-production

Budget: $160 159 (100% in place)

1st feature: No

Looking for: Festivals and Sales agents / Distributors

Synopsis:

Two filmmakers propose to Cristián Sánchez (70), a cult Chilean filmmaker, to make a film. The condition is that he resurrect the characters of his classic works, but in the form of zombies. He fights to protect his artistic principles, but the process forces him to rediscover himself, transformed into an actor and questioned by his characters, who also begin to form part of his ordinary life.

Director’s profile:

Fernando L. has made fiction and documentary films. His debut film « Y las vacas vuelan »(2003), is considered one of the films that initiated the so-called Very New Chilean Cinema. In documentaries he directed with Gonzalo Vergara « Este año no hay cosecha »(2000), a film that became a cult after the social unrest, and with Sebastián Lelio, he co-directed the documentary series « Mi Mundo Privado », semi-finalist of the EMI awards. With the feature films « Las Cosas como Son »(2012) and « Sin Norte »(2015), he won many awards at international film festivals, including Best Film at the Forum of Independents section of the Karlovy Vary Festival and Best Latin American Film at the Mar del Plata Film Festival.

Co-Director’s profile:

Sebastián Pereira’s first project « Los Iluminados » was premiered in the official selection of FICValdivia (2015) and won Best National Feature Film at the Cine//B_8 Festival (2016). In 2021 he co-founded his production company Lawarrior Films with which he made his first film as producer, « Voy y Vuelvo », directed by Cristián Sánchez and premiered at the « Chilean Gala » at FICValdivia(2023) and selected at BAFICI(2024). He’s currently developing his next films where he explores between documentary and fiction genre; « Nada es como antes » (Chile, 2024) selected for WIP FECICH 2023 and VdR Market 2023, « La Gran Ilusión », (Chile-Cuba 2024) Doc:Lab Award -FIDBA 2023 and selected for WIP MAFIZ 2024, and « El Realismo Después de la Revolución » (Chile – France 2025).

Producer’s profile:

Francisco Hervé is a Chilean producer, screenwriter, and director. He has made documentary films such as “The Other One” (2020), “Beaverland” (2014), and “The Lost City” (2016), awarded at the most important festivals in the world. In fiction, he seeks to smuggle a reflection on reality into films of various genres, such as the suspense of “Immersion” (2021), the comedy of “Nakamura”, the western of “La Hija del Pacífico”, or the adventure of “Vaterland” (in development)

Cannes Docs

Returning Where I Have Never Been

Original title: Vuelvo donde nunca estuve

Directed by: Constanza Vásquez, Andrés Morales

Produced by: Alejandra Rosas (Tonina Sur Films, Chile), Magdalena Ponce (Tonina Sur Films, Chile)

Country of production: Chile

Runtime: 75'

Expected release: November, 2024

Production stage: Post-production

Budget: €159 848 (66% in place)

1st feature: Yes

Looking for: Festivals, Sales Agents, Distributors, Buyers, Co-Producers, Gap Financing, Impact and Communications Campaign Consulting.

Synopsis:

In 1895, during the genocide of the Selk’nam people in the Chilean Patagonia, 165 indigenous were captured and brutally deported from their territory. Their children were taken by European settlers and forced to work as servants. A century later, a young Selk’nam descendant, driven by a painful family history, makes the journey back to her ancestral territory to prove that they are not extinct.

Director’s profile:

Constanza Vásquez Palau is a journalist. She has worked as a researcher for documentary series on indigenous topics, seeking to give voice to the protagonists and tell their stories in an intimate and respectful way. Previously, she developed her career in television, participating in documentary series, news and entertainment shows. « Returning Where I Have Never Been » is her debut as a documentary filmmaker.

Co-Director’s profile:

Andrés Morales Zambra is a filmmaker based in Santiago de Chile. He is a director, producer and screenwriter of short fiction and documentary films with a focus on heritage and history. Andrés also holds a degree in Architecture from the Pontificia Universidad Católica de Chile (2013) and a Master in History and Cultural Heritage Management from the Universidad de Los Andes (2022).

Producer’s profile:

Alejandra Rosas is a journalist and holds a Master’s Degree in Documentary Film from the University of Chile. She has a diploma in film distribution from EICTV, Cuba. Founder of Tonina Sur Film, she produces documentaries where her greatest strength is to recognize extraordinary stories of ordinary people. She directs DOCUMENTA SUR Lab, a training and consulting space for Chilean independent documentary companies, with international experts.

Magdalena Ponce is a journalist and Public Relations specialist, with a diploma in Distribution Channels and Marketing from Buenos Aires, Argentina. As the founder of Tonina Sur Films, she is involved in documentary and television projects. Since 2022, she produces DOCUMENTA SUR Lab and also produces the series « Ellas en la Palabra » featuring women poets on Canal 13.

Cannes Docs

Aliyá, Yeridá

Original title: Aliyá, Yeridá

Directed by: Rafael Guendelman

Produced by: Joaquín Echeverria (Brisa, Chile)

Country of production: Chile

Runtime: 70'

Expected release: February, 2025

Production stage: Post-production

Budget: €100 063 (79% in place)

1st feature: Yes

Looking for: Festivals, Sales Agents / distributors

Synopsis:

Aliyah in Hebrew means to go up and immigrate to Israel; Yeridah, the opposite, to descend and emigrate. From family archives the director tries to understand the motivations of his paternal family to emigrate to Israel in the 1970s, as well as the disappointments that brought them back to Chile, a decade later. That rise and fall is contrasted with his own experience in Chile, Israel and Palestine.

Director’s profile:

Rafael Guendelman Hales is a chilean artist graduated in Fine Arts from Universidad Catolica de Chile (PUC) and with a Master degree in Situated Practice at University College London (UCL). He has a diploma in Film Theory (PUC) and Contemporary Arab World at Universidad de Chile. He has participated in different exhibitions, such as: « Otrxs Fronterxs », Museo de la Memoria y los Derechos Humanos (Chile); « Sin tierra », in Chile at Museo de la Solidaridad Salvador Allende and in Palestinian Territories, at Dar Al Kalima College and Khalil Sakakini CC; « Visiones Territoriales », Centro Cultural La Moneda (Chile); « Bienal de la imagen y movimiento », Buenos Aires; « Rencontres Internationales Paris/Berlin/Madrid » at Haus der Kulturen der Welt in Berlin and Palais de Tokyo in Paris. He is in postproduction of his first feature documentary “Aliyá, Yeridá”, winner of the Chilean Film Fund.

Producer’s profile:

Joaquín Echeverría was born in 1989 in Santiago de Chile. He holds a degree in Civil Engineering in Construction Management from the Pontificia Universidad Católica de Chile and an MA in Philosophy from Birkbeck, University of London. He is currently based in London, UK. He has produced five short films and five feature films. It has premiered at Sundance (« Much ado about nothing »), Cannes (« Los perros »), Toronto (« And the whole sky fits in the dead cow’s eye »), Venice (« The Blind Christ » and « Austral Fever »), FIDBA (« The Ram’s nap »), Valdivia (« Ivy ») and BAFICI (“A dark light”). He is currently in postproduction with the feature documentary “Aliyá, Yeridá” from director Rafael Guendelman and the feature « You, the artist » by Flavia Contreras. He is in distribution of the short film « We will burn » by Simón Vargas. He is developing animation, documentary and fiction projects.

Cannes Docs

Dreamers

Original title: Xəyalpərəstlər Apokalipsis Dünən

Directed by: Imam Hasanov

Produced by: Maria Ibrahimova (Cinex Productions, Azerbaijan)

Country of production: Azerbaijan

Runtime: 62'

Expected release: TBD

Production stage: Editing

Budget: $150 000 (85% in place)

1st feature: No

Looking for: Gap Financing, Co-Producers, Sales Agents, Festivals and Strategic Guidance

Synopsis:

Mamed, a determined ex-footballer, adventurs in rural Azerbaijan to coach the village’s first girls’ football team, challenging the deep-seated traditions. Despite hurdles, Mamed and his wife Svetlana strive to form a team, defying societal norms fixated on early marriages. Discovering hope in an orphanage, they recruit Parishan, Fidan, Nahida, Suraya, and Farida, each with a tale of resilience. The film delves into their struggle against patriarchy, showcasing the power of dreams amidst adversity. Against Azerbaijan’s ancient allure, the movie embodies courage and unity, resonating with hope in a historically burdened world.

Director’s profile:

Imam Hasanov is an award-winning filmmaker from Baku, Azerbaijan. His first feature film, Holy Cow, was an Arte/ZDF co-production garnering support from the Sundance Institute, the Doha Institute, and Medienboard Berlin Branderburg. It premiered in the First Appearance Competition at IDFA in 2015, going on to play at HotDocs, many film festivals, and selling to TV channels around the world. Imam is also an alumnus of the Berlinale Talents and Sarajevo Talents. Imam founded an independent production company Free Art which supports creative documentaries with local impact and global relevance. Imam is also the co-founder and director of DokuBaku IDFF, the first international and the only independent documentary film festival in Azerbaijan, and the DokuBaku Film School for emerging Azerbaijani filmmakers.

Producer’s profile:

Maria Ibrahimova’s documentary Miss Gulag, produced with support from the Sundance Institute and the Ford Foundation, premiered at the Berlinale, and screened at 40 festivals and TV around the world, including the BBC. She is a two-time Berlinale Talent, EWA Mentee, and Fulbright Fellow. She completed the EAVE Producer’s Workshop in 2023 and the ACE Mentoring Program. With the American Embassy in Baku, she created Women in Motion, a program bringing Azerbaijani women into the film industry. She produced The Fisherman’s Daughter, with A. Rodnyanski (Leviathan,Loveless), and distributed by Wild Bunch. She recently produced We are Russia a documentary about young activists that supported Alexei Navalny, premiering in Visions du Reel and DOC NYC. Maria is a founding board member of the Andrew Berends Film Fellowship and a member of the European Film Academy.

Cannes Docs

Portrait of a Friendship

Original title: Portrait einer Freundschaft

Directed by: Faezeh Nikoozad

Produced by: Julia Cöllen (Fünferfilm, Germany)

Country of production: Germany

Runtime: 80'

Expected release: November, 2024

Production stage: Editing

Budget: €325 032,96 (100% in place)

1st feature: Yes

Looking for: Festivals, Sales Agents, Distributors, Buyers

Synopsis:

The filmmaker Faezeh connects to her homeland Iran through her two best friends, also filmmakers – Narges, exiled in Germany for political reasons and Hamideh, unable to leave Iran. Together, they explore the notion of home through the lenses of their cameras, capture dispersed experiences and reveal filmmaking practice as a universal haven providing a sense of comfort across borders. Starting with the archive footage of their final moments together, they seek to reunite fifteen years later amid turmoil, and continue their cinematic dialogue.

Director’s profile:

Faezeh Nikoozad is an Iranian filmmaker based in Hamburg. She earned a BA in Production and Costume Design in Tehran and her BA and MA in Film at the University of Fine Arts in Hamburg. Her work, from documentary to experimental film, covers a wide range of topics – including home, childhood and displacement. Her shorts have been presented and awarded at numerous international film festivals.

Producer’s profile:

In the last years Fünferfilm has established itself as a company for auteur films and exceptional cinematic signatures. The company produces features, documentaries and shorts, relentlessly working to build up young talent with outstanding cinematic signatures in particular.

Cannes Docs

The Elf’s Tower

Original title: Elfova Vezha

Directed by: Polina Kelm

Produced by: Rok Biček (Cvinger Film, Slovenia)

Country of production: Ukraine, Poland, Slovenia

Runtime: 120'

Expected release: February, 2025

Production stage: Post-production

Budget: €448 959 (73% in place)

1st feature: Yes

Looking for: Sales Agents, Buyers, Festivals

Synopsis:

In a mental health institution in Kyev, a theater troupe of patients stages a prophetic play, as the full invasion of Ukraine is about to happen. In an endless loop, they rebel against the theatre director Serhiy, but always come back to rehears with him. The play is never ready for the premiere as if an invisible force stands in the way. Time seems to have stopped, it’s constantly snowing outside the windows and inside the institution -unnatural sounds start filling the air. We begin to understand that the play’s plot is unexpectedly more realistic and large-scale than we thought. Miracles require great faith and work. Dark times are coming and the hospital suddenly becomes the brightest place around

Director’s profile:

Polina Kelm graduated from Kyiv National I.K. Karpenko-Kary Theatre, Cinema and TV University as a film director in 2010. Works with fiction and documentary projects. She played as an actress in the film by O.Balagura ‘Lifespan Of The Object In Frame’ (special mention at the FIDMarseille) in 2012. She is one of the founders of the Ukrainian Guild of Directors. Member of DAE, EWA, Ukrainian Film Academy. She created a laboratory to support Ukrainian documentarians at the development stage–UkrDocLab, in 2021. The first session was held by Mikael Opstrup with the support of the Ukrainian Cultural Fund. Her films and projects were awarded at East Silver Caravan Award, Beldocs in Progress, Ukrainian DocPreview, EWA Circle Award, selected for ATLFF, Krakow FF, Jihlava IDFF, DOK Leipzig, HotDocs, Berlinale, Nordisk Panorama, ESoDoc, were supported by IDFA Bertha Fund, ESFUF, Göteborg Film Fund

Producer’s profile:

Cvinger Film was founded in 2011 by award-winning Slovenian director Rok Biček (Venice Critics ́ Week 2013 & Locarno Critics ́ Week 2017), with the main objective to produce globally relevant author-driven films by new talents from the region, both fiction and documentary story-led films dealing with social issues, with a strong potential for critical and international audience success. Having previous experience as director, producer and editor of feature fiction and documentaries, Rok focuses on the creative aspects of production, financing and outreach. He regularly produces young talented Slovenians living abroad: Olmo Omerzu, Sara Kern and Lun Sevnik.

Cvinger Film productions and co-production were awarded at Venice, Locarno, Karlovy Vary, selected for Berlinale, TIFF, TIFF Kids, IDFA, DokLeipzig, Sarajevo, Palm Springs, True/False, etc.

Cannes Docs

White Lies

Original title: White Lies

Directed by: Alba Zari

Produced by: Manuela Buono (Slingshot Films, Italy)

Country of production: Italy, Belgium, France

Runtime: 80'

Expected release: April, 2025

Production stage: Editing

Budget: €320 000 (80% in place)

1st feature: Yes

Looking for: Festival, Sales, Gap Financing

Synopsis:

Alba, at 25, discovers Johnny isn’t her real father, unraveling a web of family secrets. Her grandmother Rosa fled Trieste in the 80s with her mother Ivana, joining a cult in Bangkok, practicing « Flirty Fishing » for new members. Alba was born there as Jesus Baby, with a brother from another member. After a decade, Rosa fled back to Italy with Ivana and the children. Alba, devoid of cult memories, uncovers her past through research and hints from Rosa and Ivana. Rosa denies her past, becoming a wedding planner, while Ivana, suffering psychiatric issues, struggles with her past. « White Lies » delves into three women’s journey for reconciliation and redemption through Alba’s artistic lens.

Director’s profile:

Born in Bangkok in 1987, since childhood she led a nomadic life that brought her to live in different cities and countries. Her recent works include Occult (2020-), a visual study on the propaganda of the cult Children of God, she travelled tracing her mothers past to India, Nepal and Thailand. The Y- Research of Biological Father (2017), born out of a journey in search of her origins through the father she never knew. Places (2015), a book and a photographic project executed with ElementWo, witch deals with analysis of the visual communication of ISIS propaganda. She has released the short documentary FreiKörperKultur (2021) premiered at the Venice International Critics’ Week. With The Y she is part of the Foam Talents 2020.  Her work has been exhibited in international festivals and museums such as MAXXI, Rome, London Art Fair, Circulation Paris and Athens Photo Festival.

Producer’s profile:

Manuela Buono was born and lives in Trieste (Italy). In 2013 she founded production and distribution company Slingshot Films, based in Trieste. Mega Plus 2010 graduated, (Media Business School Master in European Audiovisual Management), she received a Nipkow fellowship in 2011 and was selected for Berlinale Talent – Distribution Studio, in 2014 and Rotterdam Producers’ Lab in 2024. She is member of the European Film Academy (EFA) and European Women Association in Audiovisual Industry (EWA).

Frontières

Above the Knee

Category: Buyers Showcase

Directed by: Viljar Bøe

Produced by: Varde Film

Country of production: Norway

Genre: Psychological thriller

Language: Norwegian

Amir, plagued with visions of a rotting leg which he feels does not belong to him finds himself setting off on a dark path to redemption which promises to engulf all that he knows on his quest.

Frontières

Dead By Dawn

Category: Buyers Showcase

Directed by: Dawid Torrone

Produced by: LARMO Sp. z o. o.: Kinga Tasarek, Katarzyna Kostecka

Country of production: Poland

Genre: Horror

Language: Polish

A game of survival is played between a group of young actors and a masked murderer as he plans to summon the antichrist using an ancient ritual.